Land of the Rising Stage
Rooted in tradition while branching into the future, Japanese theatre is making new converts, at home and abroad.
This special issue, curated by guest editor Cindy Sibilsky, with translations by Shin Kurokawa, looks at theatre and performance in the Land of the Rising Sun, from its foundational traditions to its most up-to-date innovations, and considers its place within contemporary Japanese culture, among East Asian cultures broadly, and in the global context.
Rooted in tradition while branching into the future, Japanese theatre is making new converts, at home and abroad.
Some artists are going beyond fan-driven escapism to do serious, probing work. Might this be Japan’s ticket to the world?
A brief history of Japanese theatre, from its medieval origins to its postwar revolutions.
U.S. theatre’s relationship with its Japanese colleagues has come a long way since Tadashi Suzuki’s 1978 debut here.
How a new genre of stage productions inspired by anime, manga, and video games are making Japanese pop culture 2.5-dimensional.
Non-human theatre both provokes and comforts in a post-Fukushima world.
Japan Society’s artistic director doesn’t just bring works from Japan to the U.S., she invests in and introduces bodies of work.
How Japan’s recent history has both fostered and demanded intercultural exchange with its Asian neighbors.