Humana 2015: Jen Silverman Tackles Transformations in ‘The Roommate’
In her first play for the Humana Festival, Jen Silverman pays a tribute to badass women in their 50s.
In her first play for the Humana Festival, Jen Silverman pays a tribute to badass women in their 50s.
In her play ‘I Will Be Gone,’ hauntings and grief are served with comedy and cupcakes.
How a bi-national production of ‘Antigone’ took shape in remote Brzezinka, where Grotowkski’s animating spirit still holds sway.
The ensemble of Cutting Ball’s ‘Antigone’ ranged widely in age and experience, but their intensive work in Brzezinka fused them into an ensemble.
Mounting and touring an acclaimed new work about the Armenian genocide, ‘Armine, Sister,’ isn’t even the biggest controversy swirling around the Polish director.
More than an acting exercise or a comedy gimmick, improv may have grown into the legit theatrical genre some of its pioneers always envisioned.
How a troupe of L.A.-based improvisers reawakened one critic’s taste for the possibilities of live theatre.
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
Whether brainy or gutsy, Mimi Lien’s sets are arresting architectural formations in space.
How Ana Kuzmanic’s love of drawing and fashion led her to an extraordinary theatrical career.