Editor’s Note: The Puppet Moment
There’s no great mystery why they’re so popular, but that doesn’t mean there isn’t a mystique, and plenty of mystery worth exploring, about puppets.
There’s no great mystery why they’re so popular, but that doesn’t mean there isn’t a mystique, and plenty of mystery worth exploring, about puppets.
With a renewed focus on equity, diversity, and inclusion, the 25th conference brought together the nation’s theatremakers to share strategies and challenges, as well as drinks and laughs.
This week’s guest is chairman of the NEA Jane Chu, who discusses arts funding and ‘South Pacific.’ Plus, highlights from the TCG National Conference in Cleveland and a discussion of the new Kilroy’s list.
She comes from a large family of theatremakers. Is it any wonder she makes family, and theatre, everywhere she goes, from Cultural Odyssey to the California’s prisons?
As today’s cutting-edge puppeteers peer into the souls of animated objects, they’re seeing the future—or rather, the eternal present—of the theatre.
Their work tackles existential dilemmas and the challenges of aging; the Vermont-based company also hosts family-friendly festivals each summer.
The hard-to-classify work of this multimedia Chicago company is coming out of the shadows.
The TCG conference closed with a panel of artistic leaders discussing artistic risk vs. institution-building, and feted two dedicated field veterans, Rhodessa Jones and Jim O’Quinn.
Conference attendees listened to one of America’s great listeners, StoryCorps’ Dave Isay, as he shared both how he captures people’s lives on tape—and why it’s worth doing.
Access and daring, expression and dramatic action were among the themes of a meaty morning plenary with ‘Fun Home’ writer Lisa Kron and NEA chairman Jane Chu.