What Is a Science Fiction Play Anyway?
Christina Anderson, Madeline George, and Mac Rogers discuss how they put science in their fiction, pulp in their living-room drama, and speculation in their history.
Category Archives: Special Section
Experiencing Theatre With No Sight in ‘OjO’
Bricolage Production Company discovers that fostering inclusivity isn’t just about taking action—it’s also a state of mind.
If a Deaf Musical Is Possible, There Is Room on Our Stages for Everyone
The artistry of Deaf and disabled theatre workers has been amply demonstrated. Why aren’t they centerstage more regularly?
Deaf Talent, Seen and Heard
If Deaf stories and actors are having a moment, from ‘Spring Awakening’ to ‘Tribes,’ it’s only because the rest of the world is finally discovering a well-established theatrical tradition.
Theatre Artists With Disabilities Are Ready, Willing, and, Yes, Able
Obviously theatres should give priority to disabled actors in roles defined as disabled. The next step: to consider them for all roles.
Once More Unto the Breach
An Anatomized Philippic Regarding the Relationship of Disability to the Contemporary American Theatre
Ali Stroker Is Checking Off Her List, One Dream at a Time
As the first wheelchair-using performer ever cast on Broadway, Stroker isn’t just realizing a dream; she’s making it possible for others like her to dream, as well.
What John Belluso Taught Me About Disability, Generosity, and Life
How a seminal friendship changed my views on disability—and prepared me for my own.
Signs of Shakespeare in ‘R+J: The Vineyard’
Chicago’s Red Theater is translating Shakespeare for its new show: They’re putting his verse into American Sign Language.
How to Write Sci-Fi for the Stage, in 7 Easy Steps
Can plays compete with mass entertainment in spinning tales of aliens, robots, and monsters? Seems to be working for some of us.
