The Distance We Have Traveled
August Wilson’s historic call to arms resonates with today’s social justice activism. But has it taken root on our stages?
August Wilson’s historic call to arms resonates with today’s social justice activism. But has it taken root on our stages?
The actor, who received a copy of the playwright’s famous speech in the mail, remembers it chiefly as an act of self-definition.
In 15 years of conversation, the acclaimed author formed a long, deep bond with August Wilson over shared experiences and diverging perspectives.
Actors Theatre of Louisville brought ordinary reality to new heights in Ruhl’s latest play, which is a tribute to her mother.
The invisibility of stage designers cuts both ways: They lack for recognition (see this week’s Tonys), but they can also build diverse careers—if they get the chance.
This coming Sunday the Tony Awards will again overlook the contributions of sound designers—an absence that screams louder each year.
Adriana Sevahn Nichols, Yussef El Guindi, and Mona Mansour gather at the Lark to talk about what a playwriting fellowship meant to them.
In staging two contemporary Egyptian plays in the U.S., how to eliminate exoticism without erasing specificity? With care, context—and some poetic license.
Though the regions’ names suggest they lack their own centers of gravity, culture helps forge a common identity in spite of war, plunder, and devastation.
The arts incubator moves its main event to Morocco this year, aiming to create an Arabic/American playwright exchange.