Dueling-Fairy Fan Fiction From the Reduced Shakespeare Company
Proving that the Bard can be revered with irreverence, Folger Theatre presents a ‘lost’ play that never was.
Proving that the Bard can be revered with irreverence, Folger Theatre presents a ‘lost’ play that never was.
From clown noses to wolf heads, America to Israel, ‘Presenting Shakespeare’ showcases how the Bard’s work is sold around the world.
What did 4 female-led works at New York Live Arts’ Live Ideas Festival have to say to us or to each other—or are those even the right questions?
This week’s guests are Childsplay’s David Saar and Seattle Children’s Theatre’s Linda Hartzell, TYA giants soon to retire. Plus, the editors recall their first theatre experiences.
Kids, even very young ones, carry the lived sensation of theatre with them, even if they don’t literally remember it.
Theatre for young audiences is on the rise, and the possibilities are endless.
Play’s the thing in creating theatre for toddlers, as this Omaha company learned in staging a gentle, rangy poetry anthology.
Samuel French, Music Theatre International, and Plays for Young Audiences aim to expand the reach and broaden the appeal of works for young audiences.
From Honolulu to Boston, a look at institutions that produce theatre for young audiences.
Part modern dance, part interactive improv, Carlson’s ‘Animal Dance’ at Children’s Theatre Company partners toddlers with livestock.