The Sol Project: Shining a Light on Latinx Playwrights
The NYC-based initiative isn’t just scoring productions for Latinx playwrights—it’s hoping to make their work bloom and plant seeds for more.
The NYC-based initiative isn’t just scoring productions for Latinx playwrights—it’s hoping to make their work bloom and plant seeds for more.
Working Latinx actors discuss how far the theatre industry has come and the ways it can still grow.
As scholars join a freshly revivified and organized Latinx theatre movement, the question of their role is no longer academic.
We started as a lab in the 1980s. Now we run a multi-theatre center dedicated to reflecting L.A.’s diversity.
When Cleveland Public Theatre noticed there were no Latinx theatres in town, they helped create Teatro Publico.
On this week’s podcast, director Lisa Portes stopped by to discuss Latinx theatre in Chicago, and directing work for young audiences. Plus, the editors discuss the responses we’ve been getting from artists about the election.
Latino, Latina/o, or Latinx? We heard good arguments for and against them all, and opted for both greater inclusion and typographical clarity.
Artists build the imaginary worlds of the stage; producers and managers build the actual worlds where imaginations can play.
Harold Prince has always made work that matters to him—and most often to a wide audience.
Whatever contribution I’ve made to the theatre repertoire has been because I took risks on great material and got backers to trust me with it.