Is the Musical Progressive?
For all its faults, the form (and its fans) can’t help but stand up and sing for the underdog, for the awakened conscience, for moments of joyful liberation.
For all its faults, the form (and its fans) can’t help but stand up and sing for the underdog, for the awakened conscience, for moments of joyful liberation.
In this excerpt from a new book by the founder of Movement Theatre International, the author reflects on the crucial 1988 gathering in Philadelphia.
This year’s TCG Our Stories Gala, presented in honor of Samuel L. Jackson and LaTanya Richardson Jackson, raised a record $300,000 for the organization.
From an Arkansas playwright to a Chicago costume designer, this installment features half a dozen folks to have on your radar.
A mix of familiar and new titles, of challenge and comfort, characterizes this year’s lists, the first this magazine has done since 2019.
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
How a small theatre in Phoenix, now embarking on an all-BIPOC season, is challenging its local colleagues to do better.
Broadway producers Ron Simons and Hunter Arnold talk about the changes they’ve seen (and been a part of) in their field, and point to the changes that are still needed.
Theatre folks from Alaska to Ohio to Misssissippi tell us where they’re seeing the most change and what they’d like to see on a stage in the coming season.
What does it mean for a venerable 57-year-old regional theatre to become itinerant? The answer matters beyond New Haven.