The View From the Middle
In a state that tipped red decisively in 2016, the opportunity for theatrical dialogue across divides seems ripe and freshly urgent.
In a state that tipped red decisively in 2016, the opportunity for theatrical dialogue across divides seems ripe and freshly urgent.
American plunder didn’t begin with this administration. Our theatrical dissent must be grounded in a holistic critique of state violence.
Conservative theatremakers, some emboldened by Trump’s election, look for inroads onstage.
For artists like Double Edge Theatre, Jean Claude van Itallie, and Bread & Puppet Theatre, theatrical protest is a tradition, not a trend.
How our polarized political moment puts the spotlight on the social and cultural work of many theatremakers.
On this week’s podcast, the Connecticut critic joins the editors to dish about his Q&A with Yale’s James Bundy and the upcoming season.
For this year’s preview of U.S. theatre’s offerings, we look at the how and why as much as the what.
Whose programs do the programmers admire most? We asked some U.S. theatre leaders and they told us.
Caution may make sense in a crisis, but our long-term missions require us to make bolder choices.
After a quarter century at the helm of ACT, the classics-minded director/playwright is quitting while she’s ahead.