Children of the Journey
So much American theatre, from O’Neill to Udofia, has been inspired by the stories of playwrights’ immigrant parents.
So much American theatre, from O’Neill to Udofia, has been inspired by the stories of playwrights’ immigrant parents.
Theatre practitioners met in Milwaukee for the Intersections Summit, a three-day conference on community justice work. What did they take home with them?
Our engagement efforts will fall short if we don’t ask who we’re serving and why—and consider a new model to reach new goals.
An EDI consciousness is already fundamental to the work of some theatre practitioners, but it has expanded exponentially.
Our nation’s Native history is all around us, if we would only pay attention. One place to look: at a rising generation of Native theatremakers.
Why three premieres in Oregon are a sign of the times—and a long time coming.
At Arena Stage, Mary Kathryn Nagle’s ‘Sovereignty’ set out to reclaim Native stories—and bodies.
Native theatre in the U.S.’s two non-contiguous states, Alaska and Hawai‘i, shows resonant connections as well as telling differences.
After years of nurturing writers and performers, the work of L.A.’s Native American theatre is finally paying off.
In Dawn Jamieson’s new play, four Iroquois high-beam walkers reckon with trauma past and present.