How Patti Hartigan Learned What She Learned About August Wilson
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
A reporter and critic who knew Wilson nearly from the start of his playwriting peak, she wrote the biography she wanted to see.
A forgotten chapter of mid-20th-century theatre history is about to be restored, as ‘The Sign in Sidney Brustein’s Window’ is restaged in Seattle and Brooklyn.
Lorraine Hansberry’s long-awaited sophomore effort was greeted coolly, even confusedly, in 1964, but ambivalence—about art, activism, and their fraught intersection—has always been in the play’s DNA.
For her first stage role in a while, the ‘Mrs. Maisel’ actor is ready to embrace the role of another imperfect but lovable woman performer in a rocky marriage.
A new book documents Oskar Eustis’s regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
The theatre is one place where the disparate, diverse Asian American experience has found common expression, as a new entry in Routledge’s Milestones series shows.
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
A new guide to musicals about American history, and a new biography of the crucial figure Oscar Hammerstein II, make new cases for taking the form seriously.
A look back at SoHo in the 1970s, where theatrical experimentation by Meredith Monk, Robert Wilson, Richard Foreman, the Performance Group, and Mabou Mines defined an era.
Cruising Utopia with the Good Gay Poet.