Superheroes on Native Land, Part I
How a Lakota playwright, 7 Indigenous actors, and an L.A.-based ensemble survived a pandemic, crossed thousands of prairie miles, and confronted centuries of history to make a play.
How a Lakota playwright, 7 Indigenous actors, and an L.A.-based ensemble survived a pandemic, crossed thousands of prairie miles, and confronted centuries of history to make a play.
What can blossom when funders put their trust in BIPOC-led institutions like Silk Road Rising, Pangea World Theater, and Penumbra Theatre.
A look at 3 companies of color who are making theatre that’s local, new, and inventive.
Dramas and comedies with a political edge top this year’s list (*actually 12 due to ties).
Lynn Nottage again tops the list, followed closely by a mix of dramatists, librettists, and adapters.
The offerings that are emerging from the midst of contraction and crisis show how theatres can balance values and budgets.
Two new books consider the possibilities and limits of documentary theatre in a polarized nation.
Two books come not to bury the Bard but to bring his writing down to the common ground we share.
Priscilla Gilman’s memoir portrays her father, Richard Gilman, as a passionate, difficult figure who bequeathed her life lessons, many unwittingly.
Patti Hartigan’s excellent new biography gives us a rich portrait of the playwright’s life and art, and a measure of his significance.