(Don’t) Break a Leg
Injuries are part of the gig, but performers shouldn’t be expected to give till it literally hurts.
Injuries are part of the gig, but performers shouldn’t be expected to give till it literally hurts.
Been injured on the job? Here’s a partial list of service organizations, health care specialists, and legal services.
Juggling a theatre career and a day job shouldn’t be a playwright’s shame, it should be claimed as a superpower. Here are some tips for how to balance both, and how it can improve your art.
For house managers and theatre services directors, the work is invisible but rewarding.
You can get your financial house in order, even in the face of debt and fluctuating income. (The alternative: greater debt and uncertainty.)
Stage sound comprises more than dialogue, effects, and music, and the folks who design it are doing more than mere augmentation.
Sound design isn’t one-size-fits-all, and distinctions within the discipline are crucial.
Live sound mixing, audience wearing headphones—today’s sound designers aren’t just on the sidelines anymore, they’re centerstage.
Making a show sound great in a theatre space is as much an art as a science, and there’s no substitute for being there.
What is ‘white space,’ and what is the FCC doing about theatre’s ever-crowding sound systems? An explainer.