Up Close and Personal
Small theatre is an aesthetic as well as an economic designation, and both aspects deserve attention.
For this year’s annual season preview, we decided to look at the nation’s bustling stage activity through the work of its smaller theatres, from storefronts to ensembles, from itinerant troupes to what might be call micro-regional theatres. As any stage artist could tell you, true theatricality knows no size.
Small theatre is an aesthetic as well as an economic designation, and both aspects deserve attention.
Theatres with modest budgets can have outsized impact, but can they sustain success?
From dumpster diving to performing in parks, how 6 theatre companies performed miracles on tiny budgets.
The work at New York City’s small indie theatres may be blessedly strange, but the challenges they face are all too familiar.
Atlanta isn’t the only Georgia city with a theatre scene: 100 miles south you can find live performance that’s vibrant, collaborative, and inclusive.
We asked leaders at some of the nation’s small theatre companies which shows, both large and small, they were most looking forward to in the coming season.
What’s the number one play in America? It’s a tie between ‘A Doll’s House, Part 2’ and ‘The Curious Incident of the Dog in the Night-Time.’