Choreographer: Ricardo Aponte
When the pandemic cut short a crazy-busy schedule, Aponte used the time to fulfill a dream of giving back to his community.
Yes, it’s finally time to look ahead at the plans of U.S. theatres big and small, after 18 months of pandemic and protest. You can start with this comprehensive listing of everything TCG members are planning for 2021-22, and/or find out more about what’s on the field’s mind below.
Creative credits for production photo above: The Ville: Avengeance!, staged in September at Annie Malone House by St. Louis Shakespeare Festival, based on Hamlet by William Shakespeare, written by Mariah L. Richardson, directed by Thomasina Clarke, scenic and projection design by Margery and Peter Spack, costume design by Hatsephi Kushma, lighting design by Bryant Powell, composition and music by Tre’von Griffith
When the pandemic cut short a crazy-busy schedule, Aponte used the time to fulfill a dream of giving back to his community.
With a focus on experimental opera, Miguel Flores’s career has him looking forward toward a more human-centric way of working.
He’s grateful to be back in front of audiences, and also hopeful that a year-plus of down time has shown the field the true value of artists’ work.
When the pandemic hit her career on both sides of the Atlantic, she got the unique chance to help develop productions in gestation.
Teaching design remotely had some upsides, she learned, but she’s eager to get her hands back on her craft and its tools.