Revisiting ‘Mr. Green’: The Rewards of Keeping a Play Fresh
Why has my 1997 two-hander proven so durable around the world? It might have something to do with my attention to detail in the many translations and updates.
Why has my 1997 two-hander proven so durable around the world? It might have something to do with my attention to detail in the many translations and updates.
In a book excerpt, the seasoned playwright offers insights and advice, not only about how to write but about how to think about your writing productively.
Can theatre artists use the tools of Big Tech to dismantle its influence?
Producing a new play about the full-scale invasion written by a Ukranian playwright, Russian-born director Yury Urnov feels disheartened by the actions of his home country and hopeful for Ukraine.
David Byrne’s Broadway musical is a breakthrough for Filipino American performers, but at what cost to the historical truths it dances around?
After 3 decades staging literature in innovative and increasingly ambitious ways, the company closed suddenly last month, leaving a bewildering loss.
The show’s producer makes the case for recognizing non-traditional forms—including dance-driven, non-narrative shows like this—on Broadway.
The process of finding and hiring new leaders could be the ideal chance for organizations to make fundamental and positive change—if only we would seize it.
A former projectionist recalls 3 memorable weeks in the mezzanine on the show’s Boston tour stop back in 1979.
Somehow the late, great director could work on my play—and give it exactly what it needed—even while occupied with countless other thoughts and projects.