Double Edge’s ‘Grand Paradise’ Rushes the Gates of Heaven
The Massachusetts-based company’s Chagall-inspired new work marches through a turbulent century.
The Massachusetts-based company’s Chagall-inspired new work marches through a turbulent century.
The new musical from Robert L. Freedman and Steven Lutvak tells its grisly tale with just the right measure of taste, tone, and intent—and a whole lot of Jefferson Mays.
On resistance, hospitality and new writing for the American stage.
Pig Iron Theatre Company and Japan’s chelfitsch engage in a unique collaboration.
In ‘The Train Driver,’ South Africa’s master dramatist wrestles with the fate of a poor family and what it means to him.
At Austin’s Fusebox Festival, talking with strangers is de rigueur.
A spate of intense new productions shows how Eugene O’Neill’s theatrical vision deepened as his canvas tightened.
The human condition gets a workout at 2 festivals: Humana and Pacific Playwrights.
Stratford and Shaw are the twin peaks of Canadian classicism.
An offbeat new musical eavesdrops on la vie bohème, circa 1940.