Cathedrals Made of Bricks
Caryl Churchill is the only writer working now who says and does something genuinely new with each new play.
Caryl Churchill is the only writer working now who says and does something genuinely new with each new play.
The problem with young adult shows on Broadway isn’t that they focus on teens—it’s which teens they focus on.
Also, a goodbye to my editorial home.
Two high-profile, celebrity-laden versions of the campy musical are playing on opposite coasts. Which one is better? It depends if you prefer innovation or nostalgia.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
Why ‘Completeness,’ a play about the impossibility of certainty, was singularly hard to finish.
What I learned from the critics and learned to tolerate the crickets.
Women and people of color, along with artistic originality, should not be considered commercial risks.
In a post-‘Moonlight’ world, writers like Michael R. Jackson and Jeremy O. Harris are making the case for LGBTQ stories that go beyond the gay white experience.
What did I learn at this year’s TCG National Conference? Criticism and journalism may be facing a crisis, but I can be part of the solution.