The Disability Scorecard: Are You Doing a Panel, or Actually Doing Something?
Want to make disabled artists and audiences more than symbols or afterthoughts? Here’s the minimum you can do (and you really should do more than the minimum).
Want to make disabled artists and audiences more than symbols or afterthoughts? Here’s the minimum you can do (and you really should do more than the minimum).
Even the country’s apolitical state theatres are joining the countrywide protest against the power grab by the Putin-backed dictator Lukashenko.
What are we doing in the theatre? The clues are in what our art is made of: bodies, words, and a third thing that is neither and both of them.
Sometimes the best thing you can do for a theatre company you’ve built is to leave it for others to make their own.
Black trauma demands and deserves creative expression, but our lives are about so much more than tragedy.
The arts are not a luxury but a huge economic engine for America’s cities and towns, and a reflection of our national culture. They deserve your unstinting support.
As we face another Depression, can we dream of a new Federal Theatre Project? Any such hope begins with political organizing onstage and off.
In this excerpt from a new journal by theatre artists, the author recounts how she confronted racism in a loved one with more love.
For Black theatre artists, this is a time for healing; for our white counterparts, it is a time of reckoning. Can we make this moment count?
The complete text of speeches by Jamil Jude, Monique Holt, and Nikkole Salter that opened last week’s TCG 2020 virtual conference.