12 Days in May: A Hermitage Diary
My time at this storied Florida retreat was both relaxing and productive—and I was ready for the bugs this time.
My time at this storied Florida retreat was both relaxing and productive—and I was ready for the bugs this time.
The pandemic forced a conversation about filmed performance and audience access. Let’s not drop the ball.
In anatomizing the categories of things he’s collected over the decades, a playwright explores and suggests their dramaturgical possibilities.
After 25 years in the regional theatre, I’m done with the silence about the classism, sexism, and abuse I’ve experienced.
A Deaf educator who receives numerous emails from theatre teachers and directors gives advice on best practices for incorporating Deaf actors and ASL.
The creator of ‘In & Of Itself’ and new memoir, ‘Amoralman,’ has made a career of artful deception in the pursuit of a kind of theatrical truth.
Composer Michael Friedman’s sister, and the executor of his estate, reflects on her role in preserving her brother’s work in an evolving field.
It’s long past time to rethink the beloved musical’s whitewash of Anna Leonowens, a mixed-race woman whose books lied about more than just her background.
The artistic director of the Twin Cities’ Penumbra reflects on an outrageous paradox: that Black vulnerability could exculpate white violence.
If you haven’t committed to dismantling racism and ending harassment, don’t rush to reopen your doors.