The Dangers of AI Intoxication
Can theatre artists use the tools of Big Tech to dismantle its influence?
Category Archives: First Person
Hope for Mama and the Rest of Us
Producing a new play about the full-scale invasion written by a Ukranian playwright, Russian-born director Yury Urnov feels disheartened by the actions of his home country and hopeful for Ukraine.
Projected Back in Time as ‘Bob Fosse’s Dancin’ Returns
A former projectionist recalls 3 memorable weeks in the mezzanine on the show’s Boston tour stop back in 1979.
Combing: A Recollection of Working With Adrian Hall
Somehow the late, great director could work on my play—and give it exactly what it needed—even while occupied with countless other thoughts and projects.
Film Noir as a Key to Adrienne Kennedy’s Style
The director of the world premiere of ‘Etta and Ella on the Upper West Side’ shares what unlocked this haunting play for him and the creative team.
What Does the Closure of ‘Ain’t No Mo’ Mean for the Future of Black Stories?
Jordan E. Cooper’s satire could have had more success if it had kept cultivating audiences as intentionally as it did throughout its early development.
Who Will You Inspire?
A reflection on the influences who led me to become the theatre artist and educator I am today—and to be that influence for others.
Why My Journey With ‘KPOP’ Feels Like a Broadway Homecoming
For the show’s associate music director/lyric dramaturg, ‘KPOP’ brings together 2 things that are precious to her: the Broadway musical, and contemporary Korean and Korean American culture.
I’ve Got a Beautiful Feeling About the Future of Hammerstein’s Farm
The 5-acre farm in Doylestown, Pa., where Oscar Hammerstein II wrote his epochal musicals is being turned into a museum and education center.
How We Found the Musical That Found Us
On the closing weekend of ‘Dear Evan Hansen,’ its lead producer looks back at an unforgettable journey that opened a window into a mental health movement.
