Jennifer Kidwell Knows What Time It Is
The multidisciplinary Philly artist can’t be pinned down, but she is never less than fiercely present. Her next collaborative piece: Tall Order’s ‘Those With 2 Clocks’ at the Wilma.
Previews
Poetry in Motion: How Steven Hoggett Turns Movement Into Theatre, and Vice Versa
His new dance-theatre piece with Alan Cumming, ‘Burn,’ is another showcase of the approach to movement language that has made all Hoggett’s choreography so distinctive.
Exuberant and Wild: The Long, Evolving Ride of Sylvan Oswald’s ‘Pony’
An iconic play about trans men and butch lesbians arrives in Maine at an auspicious time, both for its writer and for trans representation onstage.
Who’s Bringing The Fire This Time
6 writers, 10-minute plays, a 4-night run, the 13th season: how this eminent New York festival celebrating Black dramatists has multiplied its impact.
Innocence, F-Bombs, and Song: The Balancing Act of ‘The Bedwetter’
Sarah Silverman’s musical memoir, delayed by pandemic and the death of a key collaborator, finally arrives at the Atlantic with its frank, irreverent spirit intact.
Nikki Kuhnhausen: The Death of an ‘American Girl’
In depicting a transphobic murder in Washington, Mikki Gillette’s new play sets out to show a young woman’s confidence in the face of chaos.
Joe Morton: Into the Storm of ‘Lear’
The actor talks about his voice and craft, his approach to an iconic role, and where the storm ends and the madness begins.
Sam Hunter’s ‘Case’ for Hope, Faith, and Rebirth
His new play at the Signature Theatre is not a theological argument but another of his searching efforts to find meaning in contemporary American life.
Who’s Afraid of Zachary Quinto?
The actor talks about the new Geffen Playhouse production of Albee’s classic marital scrimmage he’s headlining opposite Calista Flockhart.
Awoye Timpo on Love, Hate, and Alice Childress’s ‘Wedding Band’
As the director of a new production at TFANA, Timpo joins the project of belatedly celebrating a great but largely overlooked American playwright.
