Revisiting ‘Mr. Green’: The Rewards of Keeping a Play Fresh
Why has my 1997 two-hander proven so durable around the world? It might have something to do with my attention to detail in the many translations and updates.
Why has my 1997 two-hander proven so durable around the world? It might have something to do with my attention to detail in the many translations and updates.
David Byrne’s Broadway musical is a breakthrough for Filipino American performers, but at what cost to the historical truths it dances around?
The Cherry Arts artistic director talks with leaders at other companies programming works in translation about what a more global approach could mean for the U.S. theatre.
As the play-commissioning project Nuestro Planeta turns 1, a writer-director team revisits Colombia and learns of the strength of the Amazon communities.
To mark the bicentennial of Liberia’s founding by formerly enslaved and free Black Americans, a troupe from the Colonial Williamsburg Foundation joined with Liberians to make theatre about it.
For 25 years, this hugely influential program welcomed directors from all over the world to compare work and share practices. Is it really over?
Joined for the Rolex Arts Mentorship program, these 2 directors have a lot of common interests: interrogating Shakespeare, staging music, and welcoming new audiences.
A news story about a performance in a Ukrainian bomb shelter inspired the U.S. theatre company Irondale to fly a young troupe over, putting human faces on harrowing headlines.
Among the usual outsized quantity of productions at this year’s fest was a strong and meaningful showing of work by Middle Eastern artists.
Postponed by the pandemic, the latest iteration of Germany’s most famous Passion Play has returned with spectacle and spirit intact, minus some of its nastier legacies.