No Ordinary Days
After a century of internationalism, Chinese spoken drama goes global in a new way.
After a century of internationalism, Chinese spoken drama goes global in a new way.
Times are changing at the world’s most famous—and infamous—passion play. Plus: Reflections of and on Obergammerau by Robert Wilson and Sarah Ruhl.
Who’s depriving American audiences of the great foreign-language theatre of the world?
Master director Ratan Thiyam brings an eye-filling saga of good versus evil to America.
The World Cup meets the collapse Western civilization.
A Turkish festival mirrors the nation’s cultural crisis.
August Wilson’s Pittsburgh, and the black American experience, translated into Chinese and transposed to China.
A new production of ‘Good Woman of Sezuan’ offers cautionary parallels for post-reunification Germany.
‘The Black Rider’ testifies to his great love for theatre in all its manifestations. Can audiences relax and enjoy it?
Masked ritual folk theatre is becoming more prevalent in the country’s interior provinces.