Hungarian Theatre and Its Government Inspectors
In the face of the country’s continuing rightward drift, independent theatres show their mettle at Budapest’s dunaPart3 festival. (Part 1 of 2)
In the face of the country’s continuing rightward drift, independent theatres show their mettle at Budapest’s dunaPart3 festival. (Part 1 of 2)
As producers at LaMama learned with their triple ‘Tempest’ series, arranging for foreign artists to perform on U.S. soil can be a stormy process.
A new history play set in the future holds its own alongside classics, as well as new works by Stoppard and Hare and a pair of ace musical revivals.
How a Gershwin classic went from the concert hall to the cinema, and from Paris’s Théâtre du Châtelet to Broadway.
Language and culture, not race, are the faultlines in a new adaptation of Shakespeare’s tragedy by Norwegian director Stein Winge.
Ecuadorian theatre broke away from European conventions in the 1960s. Today’s artists are still venturing outside the theatre walls to engage audiences directly.
How a bi-national production of ‘Antigone’ took shape in remote Brzezinka, where Grotowkski’s animating spirit still holds sway.
The ensemble of Cutting Ball’s ‘Antigone’ ranged widely in age and experience, but their intensive work in Brzezinka fused them into an ensemble.
Mounting and touring an acclaimed new work about the Armenian genocide, ‘Armine, Sister,’ isn’t even the biggest controversy swirling around the Polish director.
In excerpts from speeches newly translated by Zack Rogow and Renée Morel, the celebrated author of ‘Gigi’ tells how she found her identity as a writer in the music halls of Paris.