Why Rick Dildine Left Shakespeare & Company So Quickly
He’s going back to his previous job at Shakespeare Festival St. Louis, he says, because it’s more artistic than administrative.
He’s going back to his previous job at Shakespeare Festival St. Louis, he says, because it’s more artistic than administrative.
One of the leaders at the Idaho theatre will depart after 13 years, during which time the theatre’s budget doubled.
A key figure in the theatre’s recent expansion projects, the American Conservatory Theater leader will leave after five years in the post.
She leaves the California theatre after three years in the post to take a job leading the San Diego Civic Theatre and the Balboa Theatre.
Citing health reasons, the leader of one of Off-Broadway’s most prominent playwright-focused theatres will step down.
After just over six months as head of the Massachusetts theatre, Dildine will return to Shakespeare Festival St. Louis with a slightly different title.
The former executive vice president Adrienne Arsht Center for the Performing Arts in Miami will join the Denver company in a pivotal leadership role.
Morita, who plans to continue and amplify the theatre’s focus on new and diverse voices, will be among the few women of color at the helm of a Bay Area theatre.
The longtime Dallas theatre artist, who’s worked with the Latino/Chicano theatre for a year, will join the leadership team with a.d. David Lozano.
To replace its longtime a.d., the venerable Minneapolis company taps an actor/director with a wide-ranging—you might even say ‘diverse’—history in U.S. resident theatres.