Tracy Young Travels Through ‘A Wrinkle in Time’ at Oregon Shakes
A new staging of Madeleine L’Engle’s sci-fi classic is the newest entry in director Tracy Young’s genre-hopping, ensemble-focused career.
Head out West with coverage of theatres in Alaska, California, Hawaii, Nevada, Oregon and Washington.
A new staging of Madeleine L’Engle’s sci-fi classic is the newest entry in director Tracy Young’s genre-hopping, ensemble-focused career.
The Woolly Mammoth Theatre Company in Washington D.C. brings back “Stupid Fucking Bird,” Aaron Posner’s riff on Chekhov’s “The Seagull.”
Director Bill Condon takes a fresh look at Henry Krieger and Bill Russell’s 1997 musical “Side Show” about conjoined twins Violet and Daisy Hilton.
Seattle’s Book-It Repertory Theatre, led by Jane Jones and Myra Platt, has gone from adapting classic Western literature to local contemporary literature, drawing more and more local authors into theatre.
Seattle’s improve theatre opens a satirical take on Aaron Sorkin’s hit drama.
San Francisco’s Performers Under Stress explores into the unknown and unexpected.
Commercial and not-for-profit theatres can’t do without each other, but hooking up can be as profitable as it is problematic.
The kind of tension his plays provide may be just what contemporary audiences are looking for.
How Oregon Shakes is using coproductions to help create a body of American history plays.
A behind-the-scenes look at a prolific playwright’s process.