Two Theatres Close, Another Reopens
Though the San Jose Repertory Theatre in San Jose and the Prince Music Theatre in Philadelphia are closing, Performance Network Theatre in Ann Arbor reopens under new leadership.
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Though the San Jose Repertory Theatre in San Jose and the Prince Music Theatre in Philadelphia are closing, Performance Network Theatre in Ann Arbor reopens under new leadership.
After countless workshops, readings, and revisions, Carey Crim’s “Conviction” is ready to open at the Rubicon, directed by Scott Schwartz.
Jordan Harrison’s “Marjorie Prime,” about artificial intelligence among other things, runs at Center Theatre Group’s Mark Taper Forum in Los Angeles.
The versatile and busy director talks about her devotion to both art and activism, and how she’s fused the two with Public Works.
A play about teens bonding over ‘Leaves of Grass’ weaves together Jerry Lee Lewis, Coltrane, and some spooky poetic serendipities.
In Seattle, TeenTix has worked out a simple and efficient strategy to turn teens into active patrons of the arts.
Twitter isn’t the only new tenant in the quickly changing Tenderloin and Market neighborhoods. A brace of theatres, large and small, are claiming their place in the new San Francisco.
A new staging of Madeleine L’Engle’s sci-fi classic is the newest entry in director Tracy Young’s genre-hopping, ensemble-focused career.
The Woolly Mammoth Theatre Company in Washington D.C. brings back “Stupid Fucking Bird,” Aaron Posner’s riff on Chekhov’s “The Seagull.”
Director Bill Condon takes a fresh look at Henry Krieger and Bill Russell’s 1997 musical “Side Show” about conjoined twins Violet and Daisy Hilton.