How I Learned to Stop Worrying and Die Onstage
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
Head out West with coverage of theatres in Alaska, California, Hawaii, Nevada, Oregon and Washington.
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
The South Coast Rep founding member talks about what keeps him coming back for more humbug.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
From the TBA Awards to Chicago’s literary slam WRITE Club, this week’s theatre podcasts hit close to home.
TBA spreads the love with its first awards show, doling out a total of 69 awards in four categories to Bay Area theatres and artists.
Morisseau’s “Skeleton Crew” took the Sky Cooper New American Play Prize, and Martyna Majok won the David Calicchio Emerging American Playwright Prize for “Ironbound.”
The ’15-16 season will feature new works from Paula Vogel, Robert Lopez and Kristen Anderson-Lopez, and José Cruz González, as well as direction from Rebecca Taichman and Alex Timbers.
This week on the (virtual) air, the focus was on L.A. and New York.