The State of Cornerstone Theater’s Art
With “California: The Tempest,” the pioneering community-focused company is showcasing its influential methodology, as well as the institute it’s created to teach it to others.
Head out West with coverage of theatres in Alaska, California, Hawaii, Nevada, Oregon and Washington.
With “California: The Tempest,” the pioneering community-focused company is showcasing its influential methodology, as well as the institute it’s created to teach it to others.
Now entering its 10th year, the Aurora Theatre’s prize for “forward-looking” plays also takes a moment to look back on past successes.
Amid heated arguments over the city’s version of the Equity showcase code, a real and resonant debate about artists’ compensation seems to be emerging.
In dramatizing questions about the man whose beating by police incited riots, solo artist Roger Guenveur Smith finds story that’s deeply American—and quintessentially L.A.
For their version of “Phantom of the Opera,” Vox Lumiere combined steampunk and silent film, and no white mask.
The SoCal theatre’s expanded season includes a world premiere musical about the Loch Ness monster and new works by resident playwright Lauren Yee.
Outgoing CFT artistic director Marissa Wolf’s final season includes plays by A. Rey Pamatmat, Idris Goodwin and a world premiere by Geetha Reddy.
The Canadian playwright of “The Best Brothers” didn’t know he had a play in him about an annoying but ultimately lovable new best friend.
After three decades, the punk-rock/commedia troupe founded by a bunch of UCLA theatre grads has become an international force, and its star leader is still fighting the good fight.
How a troupe of L.A.-based improvisers reawakened one critic’s taste for the possibilities of live theatre.