Know a Theatre: Arkansas Repertory Theatre of Little Rock, Ark.
Nearing its 40th year, the $4 million LORT theatre programs big shows for audiences as varied as the state, and it’s set to expand this spring.
Stories from the South, in Alabama, Arkansas, Kentucky, Louisiana, Mississippi and Tennessee.
Nearing its 40th year, the $4 million LORT theatre programs big shows for audiences as varied as the state, and it’s set to expand this spring.
The Little Rock-based theatre’s 2015–16 season will include classic and contemporary musicals, plus a world premiere directed by Jason Alexander.
Veteran composer John Kander talks and emerging talent Nick Blaemire, both with new musicals at Arlington’s Signature Theatre this month, trade thoughts about the state of musical theatre.
Matt Lyle’s wild comedy, inspired by a mild real-life social humiliation, throws self-judgment and invidious class comparison on the grill next to the road kill.
The theatre, plagued by debt woes from its new building, has been given a financial reprieve in the form of a $5 million loan and 19 years of free rent.
Louisville’s burgeoning indie scene is attracting—and increasingly keeping—a flock of eager theatremakers.
A lap dance from a peanut-butter-covered werewolf? A hip-hop Dickens intervention? No wonder this comedy storefront attracts a young, rowdy ATL audience.
The Atlanta-area theatre will stage “The Secret Garden” in an actual garden, and its “Evita” will cast the nearby countryside as rural Argentina.
PCPA becomes the Pacific Conservatory Theatre, and Tennessee Rep becomes Nashville Rep.
After nearly 10 years traveling to Guatemala to teach women forum theatre techniques, this faith-based feminist troupe is bringing its Central American partners to the U.S.