Grim Reaper Is Strong Presence in Louisville
Death came for everyone, or nearly so, in this year’s Humana Festival offerings.
Stories with a national scope.
Death came for everyone, or nearly so, in this year’s Humana Festival offerings.
On the occasion of a rare American premiere, the playwright talks candidly about his new play, his long exile from Broadway, his public vs. private life.
What 3 new works by the author of ‘’night, Mother’ say about her unique career arc, and about the field in which she’s gained a tenuous but undeniable hold.
Cheryl L. West is unafraid to go where her work take her, whether it’s the front lines of the HIV/AIDS crisis or the lives of generations of black women.
How the Suzuki technique has helped StageWest’s new production rebuild Shakespeare’s play from the feet up.
British playwright Arnold Wesker’s new play about gender relations opens at Chicago’s Northlight Theatre.
As the planet burns, what can art do that activism can’t? Perhaps, as the work of 3 path-breaking companies attests, that’s a false choice. Plus: a to-do list for green theatre, and sketches toward an eco-canon.
A new adaptation of ‘McTeague’ is more about longing than greed.
In directing ‘Hamlet’ and ‘The Seagull’ in repertory at American Repertory Theatre, Ron Daniels finds parallels and contrasts that illuminate both works.
Great actors in the full sway of their passions are likely to be more persuasive conduits to the interior of plays than the arbitrary, decorative conceptions of postmodernist directors.