Institution-as-Artwork
We may not have realized we were building long-lasting institutions to make theatre. But now that we have them, what should we do with them?
Stories with a national scope.
We may not have realized we were building long-lasting institutions to make theatre. But now that we have them, what should we do with them?
Jack Viertel goes from daily critic to in-house dramaturg at L.A.’s flagship theatre.
A new play from Beth Henley, second stages proliferate, theme seasons, and more.
On the National Council for the Arts, he’ll speak for the ‘tough, ephemeral’ art of theatre.
And other noteworthy gatherings and festivals.
The ‘new vaudevillians’ fuel the theatre with dazzling physical skill and a spirit of comic anarchy.
New works and auspicious revivals, theatre closures, a home for playwrights, and more.
Ott finds a new vision of ‘Kingdom Come.’ Also: video promos for theatre and a new Equity contract for Oregon Shakes.
From the Goodman to Oregon Shakes, from new works in New Haven to the Hong Kong Arts Festival.
What are the obligations of ‘regional’ theatres to their communities? And how should that impact our programming choices?