Go West, Young Director: Carey Perloff’s First Year at A.C.T., Part 1
When San Francisco’s venerable but ailing flagship theatre hired a 32-year-old neophyte to lead it, they didn’t know what they were in for. Neither did she.
Stories with a national scope.
When San Francisco’s venerable but ailing flagship theatre hired a 32-year-old neophyte to lead it, they didn’t know what they were in for. Neither did she.
The awards and prizes that were handed out since our last issue.
Members of the theatre community who have died in recent months.
13 theatre artists (and those who teach them) share tips and tales about working in the field.
The star of Broadway’s “Ghost” learns to navigate the business of show business all over again.
On resistance, hospitality and new writing for the American stage.
A roundtable discussion on 21st-century arts management and training between the country’s leading theatrical entrepreneurs.
The ‘House’ actor on Shaw, the high of theatre acting, and getting sloppy.
From ‘The Wizard of Oz’ to the Negro Ensemble Company, another eventful month on the stage.
In ‘Abigail/1702,’ Roberto Aguirre-Sacasa finds a familiar ‘Crucible’ character in dire straits.