Questions for Kevin O’Donnell
The Chicago sound designer/composer talks about the Hypocrites, and about a new folk musical with a jazz flavor.
Stories with a national scope.
The Chicago sound designer/composer talks about the Hypocrites, and about a new folk musical with a jazz flavor.
The actress finds her own method (no, not that Method) of burrowing into a character.
Forget jukebox shows and rock stars; the American musical looks and sounds more like a jam session between indie bands and theatre artists.
This month, executive director Teresa Eyring discusses transforming degrees of separation into degrees of connection.
Readers wrote in to quibble with or praise our stories about entrepreneurship, nudity, and selling tickets.
Shape-shifting ensembles are surfacing on major U.S. stages, trailing new techniques and changing the playmaking rules.
Daniel Pearle wins the Laurents/Hatcher Foundation Award, Stephen Colbert is honored by Lookingglass Theatre Company, and more awards from our March 2013 issue.
Those who stepped down from an old position or stepped up to a new one in May and June.
From the New Mexican desert to the Windy City—this month in national news.
This year’s vast mixture of work spotlighted new possibilities with respect to time, place and the nature of nurture in theatre today.