In Dallas, the TCG Conference Goes Back to School
At the 2013 Conference, theatre artists went back to their roots to “Learn, Do, Teach” and tackle the topics of innovation, audience engagement, diversity and inclusion, and financial adaptation.
Stories with a national scope.
At the 2013 Conference, theatre artists went back to their roots to “Learn, Do, Teach” and tackle the topics of innovation, audience engagement, diversity and inclusion, and financial adaptation.
The source text for Elevator Repair Service’s newest show isn’t a classic text but something more revealing: transcripts from a Supreme Court case on public nudity.
From Hull House, to the Jane Addams Center, to Uptown Theatre, remembering a giant of the Chicago theatre scene.
Remembering the sustaining force behind the Chicago improv institution.
The collective of Asian-American artists will present the play about two Asian Americans in Wyoming.
In Frances Ya-Chu Cowhig’s ‘410[GONE]’ at Crowded Fire Theater, the Land of the Dead is rendered with Beijing opera and Dance Dance Revolution.
Two Boston-based companies try new, more ensemble-based approaches to the casting process.
Christina Ham’s play at Workhaus Collective explores class and race issues in a haunting way.
Theatrical milestones of Septembers past range from the start of van Itallie’s relationship with the Open Theater to the launch of the Arden.
A tribute to the founder and former artistic director of Aurora Theatre Theatre company.