Editor’s Note for November 2013
Editor Jim O’Quinn shares his thoughts on the November 2013 issue.
Stories with a national scope.
Editor Jim O’Quinn shares his thoughts on the November 2013 issue.
Using a neon sign and pervasive sound design, the creative team at the Jungle Theatre took a dreamscape approach to Sam Shepard’s classic.
The Austin-based theatre reveals all in its budget for an acclaimed rendition of ‘August: Osage County.’
An acclaimed performer shares his insights on five iconic leading roles.
For the playwright and the actor, playwriting is a game of push and pull, and being led past the comfort zone.
Activated by memories of their creator, the words of the late Sekou Sundiata take on a new meaning.
In writing musicals, the playwright’s job is to build the structure, then get out of the way.
In their treatment of Jane Austen’s classic, the creative team at Denver Center Theatre Company used color and props to differentiate between the city and the country.
The playwright and the actor talk about their collaboration.
This dynamic actor and playwright duo transform the Undermain Theatre into other worlds.