‘Les Misérables’ Gets A New Design For The Dallas Theater Center
How director Liesl Tommy and costume designer Jacob A. Climber contemporized “Les Misérables” for its run at the Dallas Theater Center.
Stories with a national scope.
How director Liesl Tommy and costume designer Jacob A. Climber contemporized “Les Misérables” for its run at the Dallas Theater Center.
Though the San Jose Repertory Theatre in San Jose and the Prince Music Theatre in Philadelphia are closing, Performance Network Theatre in Ann Arbor reopens under new leadership.
After countless workshops, readings, and revisions, Carey Crim’s “Conviction” is ready to open at the Rubicon, directed by Scott Schwartz.
Ron Shelton’s “Bull Durham” goes from a baseball movie to a baseball musical, slated to run at the Alliance Theatre and directed by Kip Fagan.
Catherine Filloux’s “Selma ’65,” set to run at La MaMa E.T.C., is about Viola Liuzzo and Tommy Rowe, both of whom were deeply involved in the Civil Rights Movement in Alabama.
Both the University of Chicago’s Court Theatre and the American Blues Theater have taken an interest in play adaptions of Richard Wright’s “Native Son.”
Jordan Harrison’s “Marjorie Prime,” about artificial intelligence among other things, runs at Center Theatre Group’s Mark Taper Forum in Los Angeles.
Playwright Joe Waechter’s new play about a troubled teenager and the icy continent of Antarctica, opens at Illusion Theatre in Minneapolis.
We take a look back at the major historical moments in theatre in September.
The “Apple Family” playwright reflects on theatre’s true calling and purpose—and how, in trying to help it survive, we may have strayed from its essence.