Stop the Presses: Louisiana Artists Respond to Natural Disasters
When disaster strikes Louisiana, its artists step up to the plate with savvy and ingenuity.
Stories with a national scope.
When disaster strikes Louisiana, its artists step up to the plate with savvy and ingenuity.
Madeleine George explores humanity’s relationship with technology in ‘The (curious case of the) Watson Intelligence’ at Playwrights Horizons.
Jeremy Bloom’s ‘Peter/Wendy,’ at San Francisco’s Custom Made Theatre Company, distills J.M. Barrie’s tale down to its essentials, with just seven actors and some happy thoughts.
Executive director of TCG, Teresa Eyring, shares her thoughts in the December 2013 issue.
It started as a kind of theatrical dare—what can really be conveyed onstage in 60 seconds? Now its creator takes his “barometer project” on the road.
Whether working with the Wooster Group or Robert Wilson, he sets out to reinvent the process and avoid his “ego agenda.”
An actor toils and performs on Bread and Puppet Theater’s Vermont farm on the eve of the company’s 50th anniversary .
The recently retired director of the O’Neill Critics Institute reflects on his time in Minneapolis at the Guthrie’s beginning.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Does it make sense (and dollars) to compensate everyone in a company equally?