A Critic Revisits a Seminal Moment in Regional Theatre History
The recently retired director of the O’Neill Critics Institute reflects on his time in Minneapolis at the Guthrie’s beginning.
Stories with a national scope.
The recently retired director of the O’Neill Critics Institute reflects on his time in Minneapolis at the Guthrie’s beginning.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Does it make sense (and dollars) to compensate everyone in a company equally?
American Theatre breaks down what artists need to know about Obamacare and where they can find out more.
A precursor to the L.A. Stage Alliance forms, Charlie Chaplin’s final bow, and more that happened this month in history.
The controversial West Dallas–based ensemble opens a new show in a former bus garage.
Dominique Morisseau’s new play makes its way home to America after a transatlantic staging by London’s Gate Theatre.
The composer/lyricist discusses her new show with Duncan Sheik, ‘Because of Winn-Dixie,’ and why she loves collaboration.
The Reduced Shakespeare Comedy returns for their ninth stage collaboration.
Daniel Beaty and Moisés Kaufman join forces to bring the legendary actor/singer/activist to vivid life in ‘The Tallest Tree in the Forest.’