The Complicated Relationship Between Commercial and Not-For-Profit Theatres
Commercial and not-for-profit theatres can’t do without each other, but hooking up can be as profitable as it is problematic.
Stories with a national scope.
Commercial and not-for-profit theatres can’t do without each other, but hooking up can be as profitable as it is problematic.
Sprinting steadily from Steppenwolf to Broadway and back again, the Tony-winning director isn’t even out of breath.
The kind of tension his plays provide may be just what contemporary audiences are looking for.
You don’t have to speak the language to relish the rich legacy of the Yiddish theatre.
Adrian Lester, Charles Dutton and Ted Lange expound on the joys and difficulties of portraying the trailblazing acting icon.
At a solitary Gulf Coast retreat, veteran playwright Craig Lucas reconnects with the sublime.
No file left behind: Project calls for theatres, theatre companies to archive and preserve their past documents for the future.
How Oregon Shakes is using coproductions to help create a body of American history plays.
American Theatre sat down with the Hollywood leading lady to discuss performing, music and her career.
Teresa Eyring reflects on a night of poetry and learning at home of Abiodun Oyewole.