Front and Center with Highwayman’s ‘The Record’
Two artistic directors take inspiration from a live rodeo for a new performance piece.
Stories with a national scope.
Two artistic directors take inspiration from a live rodeo for a new performance piece.
How the design team for David Adjmi’s “Marie Antoinette,” tackled downsizing the play for a smaller black box space.
The words and music of an American master get a fresh read, and they’re as impossible, and transformative, as ever.
Theatre has always been both old-fashioned and cutting-edge. A study of the ever-changing but remarkably consistent technology of live performance shows why.
Italian director Romeo Castellucci talks theatre, air conditioning and observing art.
From sewing to sketching, focusing to carpentry, the technical work of theatre can be as creative as it is practical. The best schools know there’s no substitute for on-the-job training.
At the seminal WOW Cafe and beyond, Peggy Shaw and Lois Weaver have inspired generations of theatremakers with their seriously playful hybrid of vaudeville, drag, and postmodern appropriation.
The ease and speed of digital solutions for the stage is creating new possibilities—and raising new questions about how to train artists for such a rapidly evolving field.
A busy day in the life of Chicago’s TimeLine production manager.
Quiara Alegria Hudes discusses her new trilogy of plays, “Elliot, A Soldier’s Fugue” (a Pulitzer Prize finalist), “Water By the Spoonful” (a Pulitzer winner) and “The Happiest Song Plays Last”.