History and Theatre Have a Summit in Lawrence Wright’s ‘Camp David’
The journalist-turned-playwright explores the historic accords in a new play at Arena Stage.
Stories with a national scope.
The journalist-turned-playwright explores the historic accords in a new play at Arena Stage.
Seattle’s Book-It Repertory Theatre, led by Jane Jones and Myra Platt, has gone from adapting classic Western literature to local contemporary literature, drawing more and more local authors into theatre.
How Eric Coble’s journey from his first theatre experience led him to Broadway with “The Velocity of Autumn,” starring Estelle Parsons and directed by Molly Smith.
Natsu Onoda Power, Luciana Stecconi, and Jared Mezzocchi talk about designing David Henry Hwang’s “Yellow Face” at Theater J in Washington D.C.
Premiering at the Wexner Center for the Arts in Columbus, Ohio, Young Jean Lee’s “Straight White Men” is a response to privilege and a call for change.
“Jarman (all this maddening beauty)” honors life and work of independent filmmaker and artist.
We take a look back at the major historical moments in theatre in April.
Paula Vogel’s “Don Juan Comes Home from Iraq,” which envisions the story of Don Juan as a Marine suffering from PTSD, runs at the Wilma Theater in Philadelphia.
Seattle’s improve theatre opens a satirical take on Aaron Sorkin’s hit drama.
“These Paper Bullets! A Modish Ripoff of William Shakespeare’s Much Ado About Nothing,” written by Rolin Jones, directed by Jackson Gay, and with music by Billie Joe Armstrong, combines two of Britain’s most revered entertainers: Shakespeare and the Beatles.