Aaron Posner Reimagines Chekhov in ‘Stupid F–king Bird’
The Woolly Mammoth Theatre Company in Washington D.C. brings back “Stupid Fucking Bird,” Aaron Posner’s riff on Chekhov’s “The Seagull.”
Stories with a national scope.
The Woolly Mammoth Theatre Company in Washington D.C. brings back “Stupid Fucking Bird,” Aaron Posner’s riff on Chekhov’s “The Seagull.”
In its New York premiere, a play about publishing and intimacy in the Internet age, starring Billy Magnussen and Anna Gunn, gets an upgrade.
Northville, Michigan’s new production of James Kuhl’s play about a secret brotherhood, marks its maiden foray into new-play production.
The longtime outdoor theatre in Wisconsin chooses a new name that better reflects its venue and locale.
Led by Scott Miller, this small theatre revives mostly nontraditional musicals, giving new life to underrated shows and shining new light on contemporary classics.
How Kansas City Actors Theatre uses a collective ethos to keep its actors and audiences happy
Director Bill Condon takes a fresh look at Henry Krieger and Bill Russell’s 1997 musical “Side Show” about conjoined twins Violet and Daisy Hilton.
Its organizers nursed it, rehearsed it and gave out the news- this is where American theatre writing can gestate and blossom (if you handle the sturm und drang.)
Jim Simpson’s Off-Off-Broadway company has broken theatrical ground over the last 17 years. Now it’s broken ground on a new three-theatre space in downtown Manhattan.
Composer Tesori takes a trip down memory lane with ‘Violet.’