How One Theatre Utilizes Social Groups To Energize The House
Clubbed Thumb in New York City uses “social captains” to get targeted audiences to come to shows.
Stories with a national scope.
Clubbed Thumb in New York City uses “social captains” to get targeted audiences to come to shows.
Gavin Reub, a founder of the Seagull Project in Seattle, describes the company’s experiences when they took their theatre to Uzbekistan.
AT’s own Suzy Evans went to the Eugene O’Neill Theater Center to discuss the role of critics in theatre and how they view their relationship with artists.
Joseph Haj, producing artistic director of PlayMakers Repertory Theatre, talks about the challenges and benefits of co-directing.
Elaine Avila interviews Lisa Wolpe, the director and artistic leader of the LA Women’s Shakespeare Company whose specialty is playing Shakespearean men.
Playwrights Julia Jarcho and Sibyl Kempson discuss how Jane Bowles has influenced their lives and their writing.
How director Liesl Tommy and costume designer Jacob A. Climber contemporized “Les Misérables” for its run at the Dallas Theater Center.
Though the San Jose Repertory Theatre in San Jose and the Prince Music Theatre in Philadelphia are closing, Performance Network Theatre in Ann Arbor reopens under new leadership.
After countless workshops, readings, and revisions, Carey Crim’s “Conviction” is ready to open at the Rubicon, directed by Scott Schwartz.
Ron Shelton’s “Bull Durham” goes from a baseball movie to a baseball musical, slated to run at the Alliance Theatre and directed by Kip Fagan.