How I Learned to Stop Worrying and Die Onstage
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
Stories with a national scope.
The distance from the Royal Shakespeare Company to the Improvised Shakespeare may not be as far as you think.
A director whose stage career spanned improv, tragedy, even musicals, as well as some very fine film adaptations of plays.
When the nation’s most powerful newspaper chooses to review new plays in early productions outside New York, is that helping or hurting the field?
Two new plays in two different cities raise new questions about shadowy government plots of the 1980s. Coincidence?
The small Phoenix theatre will be recognized by the city’s mayor in a celebration on Friday.
The composer’s new hybrid work takes on myths and truths of Los Angeles, as well as one of his recurring subjects: the musical-theatre form itself.
The South Coast Rep founding member talks about what keeps him coming back for more humbug.
Executive director of the Providence company will start a new job with the same title in Connecticut next year.
An historic gathering of Latina/o theatremakers put the focus firmly on the work and let the politics—including the identity politics—emerge, or not, from there.
Clubbed Thumb is the first beneficiary of Playwrights’s new initiative, which comes with free office, rehearsal and performance space.