Let Us Show You Our Bottoms (and Titanias)
The flowery bed where a donkey-man and a fairy queen meet cute is an iconic Shakespearean image, so it’s no surprise it’s graced our cover so often.
Stories with a national scope.
The flowery bed where a donkey-man and a fairy queen meet cute is an iconic Shakespearean image, so it’s no surprise it’s graced our cover so often.
Annie Baker’s disorienting experience with a digital showing of ‘Fanny and Alexander’ fueled her play ‘The Flick.’ IFC has invited her back for a 35mm screening and a chat.
Among the first batch of grants announced under Jane Chu’s chairmanship, more than $3.58 million went to theatre companies.
In dramatizing questions about the man whose beating by police incited riots, solo artist Roger Guenveur Smith finds story that’s deeply American—and quintessentially L.A.
‘Arabian Nights’ and ‘An Iliad’ will join ‘Midsummer’ and ‘Winter’s Tale’ in the open-air tent in Garrison, N.Y. next summer.
Minneapolis remembers a gentle mentor who shepherded young performers and never had a harsh word for anyone.
For their version of “Phantom of the Opera,” Vox Lumiere combined steampunk and silent film, and no white mask.
From its storefront start to its current status as a linchpin of its hometown’s newest arts district, Everyman Theatre has kept its focus on local actors and literate audiences.
Alongside the expected onslaught of holiday fare, both traditional and alternative, come a few other dark, wintry visitors—witches, beasts, tyrants, serial killers and Cruella Deville.
The SoCal theatre’s expanded season includes a world premiere musical about the Loch Ness monster and new works by resident playwright Lauren Yee.