To Have and Have Not
The class struggle in David Lindsay-Abaire’s ‘Good People’ may be even more relevant now than it was when the play premiered 3 years ago.
Coverage of theatre in Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island and Vermont.
The class struggle in David Lindsay-Abaire’s ‘Good People’ may be even more relevant now than it was when the play premiered 3 years ago.
‘Futurity’ is an unlikely alt-rock musical about Ada Lovelace and the Civil War.
An artistic director recalls how an iconoclastic theatre took root in recalcitrant soil.
A profile of the associate general manager of Boston’s Huntington Theatre Company.
Pushing ‘Master Builder’ over the expressionistic edge.
Rounding out their first year since graduation, members of ART’s class of 1995 find reading and spirituality at the center of their new lives as actors.
An ART graduating class hits the pavement of NYC.
He’s playwright, director, theorist—and his own worst enemy.
How the Suzuki technique has helped StageWest’s new production rebuild Shakespeare’s play from the feet up.
As the planet burns, what can art do that activism can’t? Perhaps, as the work of 3 path-breaking companies attests, that’s a false choice. Plus: a to-do list for green theatre, and sketches toward an eco-canon.