What Did You Think of the Show? Company One Wants to Know
It’s not just about talkbacks at the small Boston theatre—it’s about creating safe spaces for engagement with often uncomfortable work.
Coverage of theatre in Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island and Vermont.
It’s not just about talkbacks at the small Boston theatre—it’s about creating safe spaces for engagement with often uncomfortable work.
Highlights of the annual festival included a rock band of Catholic schoolgirls, giant balloons, pop-up books, and deconstructed Chekhov.
A playwright and teacher, Bradford succeeds Vincent J. Cardinal at the helm of both CRT and UConn’s Dramatic Arts.
Northern Stage, Dorset Theatre Festival, and Weston Playhouse team up to bring Alan Ayckbourn’s trilogy to life.
Russian director Dmitry Krymov’s first English-language production at Yale transcends language and form.
The artistic director and head of the department of dramatic arts at UConn will step down in July.
The mythic past of ‘To Kill a Mockingbird’ proves no match for the bracing relevance of Baldwin’s ‘Blues for Mr. Charlie.’
The Broadway-bound musical from Lynn Ahrens and Stephen Flaherty, currently running at Hartford Stage, was lauded last night.
Adapting the beloved animated musical film for the stage, Lynn Ahrens, Stephen Flaherty, and Terrence McNally make another journey to the past.
In staging two contemporary Egyptian plays in the U.S., how to eliminate exoticism without erasing specificity? With care, context—and some poetic license.