Language in the Driver’s Seat in ‘Racecar Racecar Racecar’
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
Stories from Delaware, Washington, DC, Maryland, New Jersey, New York and Pennsylvania.
Kallan Dana’s intimate, unsettling play, a production of The Hearth redirected from the shuttered Connelly Theatre, reemerges at A.R.T./New York.
Short plays from the 2024 cohort will be featured at the LGBT Center in New York City on Dec. 2.
This month, Allison chats with Pig Iron co-founder Quinn Bauriedel and checks in with teachers helping students navigate the post-election period.
Next summer, a multi-day celebration will kick off a new international dance venue for the longtime company in the Berkshires.
In staging a revolution and its confusing aftermath, the musical ‘We Live in Cairo’ also seeks to dramatize the everyday life of Arabs.
Starting on Nov. 11, he takes over from interim artistic director Liz Carlson and joins newly promoted associate artistic director Isabelle (Fereshteh) Sanatdar Stevens.
After negotiations between Actors’ Equity Association and Brass Jar Productions, Drunk Shakespeare’s cast and crew ratifies first union contract.
A new plan from Creatives Rebuild New York (CRNY) outlines a long-term program for state and local lawmakers to improve conditions for artists.
Originally hired as transition manager and interim managing director, she started in her new permanent role early this month.
In joining a college theatre program with similar aims and aesthetics, the training arm of the experimental company will keep its students on track with minimal interruption.