Romeo Castellucci Opens Up to American Audiences
Italian director Romeo Castellucci talks theatre, air conditioning and observing art.
Stories from Delaware, Washington, DC, Maryland, New Jersey, New York and Pennsylvania.
Italian director Romeo Castellucci talks theatre, air conditioning and observing art.
At the seminal WOW Cafe and beyond, Peggy Shaw and Lois Weaver have inspired generations of theatremakers with their seriously playful hybrid of vaudeville, drag, and postmodern appropriation.
Quiara Alegria Hudes discusses her new trilogy of plays, “Elliot, A Soldier’s Fugue” (a Pulitzer Prize finalist), “Water By the Spoonful” (a Pulitzer winner) and “The Happiest Song Plays Last”.
With Under the Radar, Coil, PROTOTYPE, American Realness, Other Forces, January is festival season in New York City. So snap out of it.
Daniel Kitson reveals his latest creation ‘Analog.Ue’ at St. Ann’s Warehouse after months of speculation by fans.
Madeleine George explores humanity’s relationship with technology in ‘The (curious case of the) Watson Intelligence’ at Playwrights Horizons.
Whether working with the Wooster Group or Robert Wilson, he sets out to reinvent the process and avoid his “ego agenda.”
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Dominique Morisseau’s new play makes its way home to America after a transatlantic staging by London’s Gate Theatre.
Tom Dudzick returns to the town of his birth to direct a self-penned play on faith, art, and the perils of show business.