Rude Mechs’ Excellent Adventure With Ayn Rand
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Mid Atlantic
Stories from Delaware, Washington, DC, Maryland, New Jersey, New York and Pennsylvania.
Caught on Camera: Fathers and Daughters in ‘Sunset Baby’
Dominique Morisseau’s new play makes its way home to America after a transatlantic staging by London’s Gate Theatre.
The Irresistable Rise of ‘Miracle on South Division Street’
Tom Dudzick returns to the town of his birth to direct a self-penned play on faith, art, and the perils of show business.
A Survival Resonance Through the Work of Sekou Sundiata
Activated by memories of their creator, the words of the late Sekou Sundiata take on a new meaning.
20 Questions for Joe Iconis
The composer talks about his early theatrical experiences and his inspirations for writing ‘The Black Suits.’
Sing a Song of Fear: The Undead, Live!
The musical adaptation of George A. Romero’s “Night of the Living Dead” shambles its way to a regional premiere at St. Louis’s New Line Theatre.
Charles Busch & Julie Halston: Looking for Trouble
The two artists discuss nearly three decades of working together.
Deborah Stein and Suli Holum: Now It’s Our Turn
Close collaboration and unhurried gestation characterize the work of this unique ensemble company of two.
Robert Schenkkan Tells LBJ’s History in Rotating Rep
A Texas playwright takes on an iconic Texas politician in ‘All the Way’ and ‘The Great Society,’ and finds a figure of Shakespearean—i.e., tragic—proportions.
R&J Times Three
Chautauqua arts institutions engage in a cross-disciplinary collaboration using multiple Romeos and Juliets.
