Rude Mechs’ Excellent Adventure With Ayn Rand
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Stories from Delaware, Washington, DC, Maryland, New Jersey, New York and Pennsylvania.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Dominique Morisseau’s new play makes its way home to America after a transatlantic staging by London’s Gate Theatre.
Tom Dudzick returns to the town of his birth to direct a self-penned play on faith, art, and the perils of show business.
Activated by memories of their creator, the words of the late Sekou Sundiata take on a new meaning.
The composer talks about his early theatrical experiences and his inspirations for writing ‘The Black Suits.’
The musical adaptation of George A. Romero’s “Night of the Living Dead” shambles its way to a regional premiere at St. Louis’s New Line Theatre.
The two artists discuss nearly three decades of working together.
Close collaboration and unhurried gestation characterize the work of this unique ensemble company of two.
A Texas playwright takes on an iconic Texas politician in ‘All the Way’ and ‘The Great Society,’ and finds a figure of Shakespearean—i.e., tragic—proportions.
Chautauqua arts institutions engage in a cross-disciplinary collaboration using multiple Romeos and Juliets.