George Wendt, Staying Mostly Within the Norm, Stars in Northlight’s ‘Funnyman’
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
Dispatches from Illinois, Indiana, Michigan, Ohio. and Wisconsin.
In Bruce Graham’s new play, Wendt plays an actor known for a single iconic role who’s trying to break the mold—unlike Wendt himself, who seems content with the comedic.
The awards recognized 19 productions at 16 Michigan theatres.
The Windy City storefront mainstay loses its home at the Angel Island Theater after nearly three decades.
What happens when writers accustomed to grown-up audiences aim younger? The results can be rich and rewarding for all concerned—though there are pitfalls.
The slate also includes a festival of plays written by high schoolers and an adaptation of a classic seafaring novel.
Beals, a longtime associate of founding artistic director Russ Tutterow, inherits his mission of championing new plays and playwrights in Chicago.
The administrator travels from Synchronicity Theatre to join the Windy City troupe.
Two new books look at companies that serve audiences outside the institutional theatre’s cocoon of privilege.
The roster includes plays about family, friendship, and fate.
Among the new plays is ‘Byhalia, Mississippi,’ which will debut in several cities at once in hopes of sparking an online conversation among audiences.